2019
charcoal, felt, pencil
paper
I consider the Abstraction series to be the first frameable stage of my painting activity, which has an autonomous character. Behind each painting, there is a story or an emotional experience. Part of the awkwardness of the series is that at that time I did not have a specific need to formulate a message for my works. But I could feel the tension within me, the tension that wanted to burst out and that was present in every picture. I divided the series into two parts, monochrome and color. There is no essential difference between the two categories. The monochrome pictures are mostly felt-tip pen works, while the color ones show a mixture of different drawing and painting techniques.

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charcoal, paper, A2, 2019

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charcoal, paper, A4, 2019

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charcoal, paper, A4, 2019

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pen, paper, A4, 2019

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pen, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

Vulva spaceship
felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019

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felt, paper, A4, 2019
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